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	<title>ENBaCH</title>
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	<link>http://enbach.hypotheses.org</link>
	<description>EUROPEAN NETWORK FOR BAROQUE CULTURAL HERITAGE</description>
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		<title>“European Networks in the Baroque Era” &#8211; International Conference hosted at the “Josephinum”, Vienna, 26-29 September 2012</title>
		<link>http://enbach.hypotheses.org/164</link>
		<comments>http://enbach.hypotheses.org/164#comments</comments>
		<pubDate>Sat, 24 Mar 2012 09:18:45 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[About the Project]]></category>
		<category><![CDATA[Actualités / News]]></category>
		<category><![CDATA[Information]]></category>
		<category><![CDATA[circulation]]></category>
		<category><![CDATA[Conference]]></category>
		<category><![CDATA[network]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://enbach.hypotheses.org/?p=164</guid>
		<description><![CDATA[The first general conference of the ENBaCH Project is intended to bring together research on Baroque forms of exchange and networking, as a basis for a modern network of researchers working on themes related to the cultural heritage of Europe in the seventeenth and eighteenth centuries. The European Network for Baroque Cultural Heritage (ENBaCH) &#8211; is a research project supported and funded by the European Commission. “Baroque” of course has various connotations depending on regions and cultural contexts but also on various approaches in [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://f.hypotheses.org/wp-content/blogs.dir/361/files/2012/03/josephinum1.jpg"><img src="http://f.hypotheses.org/wp-content/blogs.dir/361/files/2012/03/josephinum1-150x150.jpg" alt="" width="150" height="150" class="alignleft size-thumbnail wp-image-171" /></a></p>
<p>The first general conference of the ENBaCH Project is intended to bring together research on Baroque forms of exchange and networking, as a basis for a modern network of researchers working on themes related to the cultural heritage of Europe in the seventeenth and eighteenth centuries. The European Network for Baroque Cultural Heritage (ENBaCH) &#8211; is a research project supported and funded by the European Commission. </p>
<p>“Baroque” of course has various connotations depending on regions and cultural contexts but also on various approaches in different research fields. As ENBaCH is defined as an interdisciplinary project it is intended to confront these aspects and discuss their impact on what might be defined as “European Cultural Heritage” </p>
<p>A well-known historiograpical conundrum is the question of periodization. One useful, practicable approach is the collection of characteristics of an epoch from the cultural point of view: works of art, intellectual activities and developments, societal structures and contemporary ways of coping with diverse challenges in a specific society. Baroque culture was influenced by war, famine and epidemic diseases, and the resulting urgency of finding collaborative solutions for survival. New environments and infrastructures, increased mobility of craftsmen, artists and workers as well as the trade of artefacts and goods, and a vivid exchange of knowledge mark the period as much as its art, which represents a reaction to these threats to life in various ways. </p>
<p><strong>We welcome papers on the following aspects of Baroque culture and exchange in particular:</strong></p>
<p>•    formal and informal networks of politics (e.g. the role of courts, diplomacy, agents) in the<br />
     seventeenth and eighteenth centuries<br />
•    the Baroque circulation of ideas and knowledge (e.g. the Republic of Letters)<br />
•    the development of arts and cultural practices (“artists and artefacts on the move”,<br />
     baroque festivals and piety, fashion, cooking, etc.)<br />
•    (with particular relevance to the venue of the conference): the Baroque perception of the<br />
    human body in various works of art, death and dying in relation to confessional<br />
    frameworks, coping with disease and disaster from a medical point of view (e.g. health<br />
    care provisions, facing famine and epidemic disease) and collaboration in medicine<br />
    and health care</p>
<p><strong>Conference language:</strong> English. The papers should be given in English and should take max. 20 minutes. Discussions and commentaries by attending delegates may include also other languages.</p>
<p><strong>Abstracts of one page max., in English, accompanied by a very short CV, should be sent to baroquebodies@meduniwien.ac.at  by the end of April 2012</strong></p>
<p>We will be able to cover moderate travelling costs and accommodation for invited speakers other than those involved in the ENBaCH project. Please enquire for details.</p>
<p><strong>Programme details:</strong></p>
<p><strong>26.9.2012:</strong> 6.30pm: reception and Baroque concert by the “Camerata Medica”, an orchestra of Viennese physicians performing in aid of charitable projects.<br />
2<strong>7.9.2012:</strong> conference panels<br />
<strong>28.9.2012:</strong> conference panels,<br />
   <strong>afternoon:</strong> excursion to the Abbey of Melk coffee in the historical garden pavillon, followed by a guided tour; evening: dinner at a “Heurigen” in the World Heritage Cultural Landscape Wachau.<br />
<strong>28.9.2012:</strong> conference panels</p>
<p>We have reserved rooms at two hotels at a convenient location; speakers and conference delegates will benefit from a reduced room rate. Rooms are limited and available on first come, first served basis only. </p>
<p>For any further questions about the conference practicalities please contact<br />
Paul Zogmann (paul.zogmann@meduniwien.ac.at)</p>
<p><a href='http://f.hypotheses.org/wp-content/blogs.dir/361/files/2012/03/Practical-Information-Conference-Vienna.pdf'>Practical Information Conference Vienna</a> </p>
]]></content:encoded>
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		<item>
		<title>Conference : &#8220;TEI, devotion and libertinism: analysis of XVIIth-century-Text Structures &#8211; Thinking critical and academic digital Humanities edition&#8221;</title>
		<link>http://enbach.hypotheses.org/151</link>
		<comments>http://enbach.hypotheses.org/151#comments</comments>
		<pubDate>Tue, 28 Feb 2012 16:20:34 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[Actualités / News]]></category>
		<category><![CDATA[Databases & Research]]></category>
		<category><![CDATA[Information]]></category>
		<category><![CDATA[Digital Humanities]]></category>
		<category><![CDATA[edition critique]]></category>
		<category><![CDATA[philology]]></category>
		<category><![CDATA[structure de texte]]></category>
		<category><![CDATA[XML-TEI]]></category>

		<guid isPermaLink="false">http://enbach.hypotheses.org/?p=151</guid>
		<description><![CDATA[À mi-parcours du projet européen ENBaCH, le Grihl, Groupe de recherches interdisciplinaires sur l&#8217;histoire du littéraire (équipe du Centre de recherches historiques, UMR 8558), présente les résultats de l&#8217;expérimentation menées sur l&#8217;édition électronique en TEI de deux textes du XVIIe siècle : La Vie de Michel de Marillac par Nicolas Lefevre de Lezeau et Les Papiers de Guy Patin. PROGRAMME 9 h 00 : Introduction par Cécile SOUDAN, CNRS, CRH-Grihl et Nicole DUFOURNAUD, EHESS, CRH 9 h 15 : Lou BURNARD, TGE Adonis (UPS [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://f.hypotheses.org/wp-content/blogs.dir/361/files/2012/02/Marillac_Patin_TEI_2.jpg"><img src="http://f.hypotheses.org/wp-content/blogs.dir/361/files/2012/02/Marillac_Patin_TEI_2-150x150.jpg" alt="" width="150" height="150" class="alignleft size-thumbnail wp-image-178" /></a>À mi-parcours du projet européen ENBaCH, le Grihl, Groupe de recherches interdisciplinaires sur l&#8217;histoire du littéraire (équipe du Centre de recherches historiques, UMR 8558), présente les résultats de l&#8217;expérimentation menées sur l&#8217;édition électronique en TEI de deux textes du XVIIe siècle : <em>La Vie de Michel de Marillac</em> par Nicolas Lefevre de Lezeau et <em>Les Papiers</em> de Guy Patin.</p>
<p><strong>PROGRAMME</strong><br />
<strong>9 h 00 :</strong> Introduction par Cécile SOUDAN, CNRS, CRH-Grihl et Nicole DUFOURNAUD, EHESS, CRH<br />
<strong>9 h 15 :</strong> Lou BURNARD, TGE Adonis (UPS 2916), membre du Board of Directors de la TEI : « Histoire de la TEI : un cas d&#8217;étude dans l&#8217;évolution des méthodes et pratiques scientifiques dans les SHS ? »<br />
<strong>9 h 45 :</strong> Marjorie BURGHART, EHESS, CIHAM (UMR 5648 Université Lyon 2/ EHESS/ ENS/ Université Avignon/ Université Lyon 3/CNRS), membre du Board of Directors de la TEI : « Les Digital Humanities à l’École : petite histoire d&#8217;une grande aventure »<br />
<strong>10 h 05 :</strong> Aurélien BERRA, Université Paris-Ouest et ANHIMA (UMR 8210 EHESS/ CNRS/ EPHE/ Université Paris I-Panthéon Sorbonne/Université Paris VII-Denis Diderot) : « L&#8217;édition numérique savante, une entreprise héroïque ? »<br />
<strong>10 h 25 :</strong> Pause<br />
<strong>10 h 45 :</strong> « Retour sur une double expérience »<br />
Jean-Pierre CAVAILLÉ, EHESS, CRH-Grihl, Cécile SOUDAN et Nicole DUFOURNAUD : « Singularités d&#8217;un encodage TEI dans Les Papiers de Guy Patin : la spécificité et l&#8217;apport d&#8217;un travail numérique collectif »<br />
Valérie GRATSAC-LEGENDRE, EHESS, CRH : « Résultats d&#8217;une édition électronique savante avec la TEI : la Vie de Michel de Marillac »<br />
Dora DE LIMA, Université Paris 1 – Panthéon Sorbonne, CRHM : « Prémices d&#8217;un dialogue entre la TEI et l&#8217;histoire : significations et usages de l&#8217;intertextualité dans La Vie de Michel de Marillac »<br />
Camille HARANG, informaticien développeur, Yooook.net : « Présentation du démonstrateur TEI »<br />
<strong>12 h 15 :</strong> Jean-Daniel FEKETE, INRIA Saclay-Ile de France, équipe Aviz : « Explorer les corpus : vue d&#8217;ensemble et navigation dans de larges corpus documentaires »<br />
<strong>12 h 45 :</strong> Clôture par Nicole DUFOURNAUD et Cécile SOUDAN</p>
]]></content:encoded>
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		</item>
		<item>
		<title>ENBaCH Workshop at Kiel, 20-21 January 2012</title>
		<link>http://enbach.hypotheses.org/143</link>
		<comments>http://enbach.hypotheses.org/143#comments</comments>
		<pubDate>Sun, 15 Jan 2012 16:47:13 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[Actualités / News]]></category>
		<category><![CDATA[Information]]></category>

		<guid isPermaLink="false">http://enbach.hypotheses.org/?p=143</guid>
		<description><![CDATA[The next ENBaCH workshop will take place in Kiel (Germany) next 21th-21st January. Programme Friday, 20th January 2012 Part 1: Discussion of financial and technical issues, management, coordination, budget 9.30-10.30: Kim Assael/Renata Ago: Open discussion of financial and organizational issues, functioning of the website Part 2: Discussion of intermediary results and products of each group 10.30-11.15: Matthias Müller/Enrico Wagner: short introduction to the Greifswald/Kiel research results; presentation of the preliminary products (tourist circuits); discussion of the outline of the atlas of baroque cultural heritage [...]]]></description>
			<content:encoded><![CDATA[<p>The next ENBaCH workshop will take place in Kiel (Germany) next 21th-21st January.</p>
<p>Programme</p>
<p><em>Friday, 20<sup>th</sup> January 2012</em></p>
<p>Part 1: Discussion of financial and technical issues, management, coordination, budget</p>
<p>9.30-10.30: Kim Assael/Renata Ago: Open discussion of financial and organizational issues, functioning of the website</p>
<p>Part 2: Discussion of intermediary results and products of each group</p>
<p>10.30-11.15: Matthias Müller/Enrico Wagner: short introduction to the Greifswald/Kiel research results; presentation of the preliminary products (tourist circuits); discussion of the outline of the atlas of baroque cultural heritage (Müller), part I</p>
<p>11.15-11.30: coffee break</p>
<p>11.30-12.00: Matthias Müller/Enrico Wagner: short introduction to the Greifswald/Kiel research results; presentation of the preliminary products (tourist circuits); discussion of the outline of the atlas of baroque cultural heritage (Müller), part II</p>
<p>12.00-12.45: Sonia Horn/ Vienna: presentation &amp; discussion</p>
<p>13.00-14.00: Lunch</p>
<p>14.00-14.45: Diana Carrió, Joan Lluis Palos/ Barcelona: presentation &amp; discussion</p>
<p>14.45-15.30: Michal Wardzynski/ Warsaw: presentation &amp; discussion</p>
<p>15.30-15.45: coffee break</p>
<p>15.45-16.30: Josephine Klingebeil, Meike Beyer, Christian Gerhardts / Dresden: presentation &amp; discussion</p>
<p>16.30-17.15: Massimo Giannini/ Teramo: presentation &amp; discussion</p>
<p>17.15-18.00: Cécile Soudan/ Paris: presentation &amp; discussion</p>
<p>&nbsp;</p>
<p><em>Saturday, 21<sup>st</sup> January</em></p>
<p>9.00- excursion by bus to Eckernförde (with lunch)</p>
<p>14.00-15.00: Martin Krieger: final discussion regarding the intermediary products</p>
<p>15.00-16.00: contribution on communication/dissemination, programme suggestions for workshop in Vienna 2012</p>
]]></content:encoded>
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		</item>
		<item>
		<title>La Fête baroque entre Italie et Pays-Bas : institutions, réseaux, acteurs</title>
		<link>http://enbach.hypotheses.org/124</link>
		<comments>http://enbach.hypotheses.org/124#comments</comments>
		<pubDate>Sat, 26 Nov 2011 18:40:08 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[Actualités / News]]></category>
		<category><![CDATA[Information]]></category>

		<guid isPermaLink="false">http://enbach.hypotheses.org/?p=124</guid>
		<description><![CDATA[The EnBACH project will be presented at the conference at the Academia Belgica in Rome the 1st of December. See the programme in the attached file (CSB_AB_20111201)]]></description>
			<content:encoded><![CDATA[<p>The EnBACH project will be presented at the conference at the Academia Belgica in Rome the 1st of December.<br />
See the programme in the attached file (<a href="http://f.hypotheses.org/wp-content/blogs.dir/361/files/2011/11/CSB_AB_201112013.pdf" target="_blank">CSB_AB_20111201</a>)</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Journée d&#8217;étude &#8220;La Vie de Michel de Marillac et les expériences politiques du garde des sceaux&#8221;</title>
		<link>http://enbach.hypotheses.org/114</link>
		<comments>http://enbach.hypotheses.org/114#comments</comments>
		<pubDate>Fri, 04 Nov 2011 18:00:23 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[Actualités / News]]></category>
		<category><![CDATA[Databases & Research]]></category>
		<category><![CDATA[Information]]></category>
		<category><![CDATA[écriture]]></category>
		<category><![CDATA[edition]]></category>
		<category><![CDATA[historiography]]></category>
		<category><![CDATA[Lezeau (Nicolas Lefevre de)]]></category>
		<category><![CDATA[Marillac (Michel de)]]></category>
		<category><![CDATA[notion of baroque]]></category>
		<category><![CDATA[XML-TEI]]></category>
		<category><![CDATA[XVIIe siècle]]></category>

		<guid isPermaLink="false">http://enbach.hypotheses.org/?p=114</guid>
		<description><![CDATA[Dans le cadre du projet européen ENBaCH (European Network for Baroque Cultural Heritage), le Grihl, équipe du Centre de Recherches Historiques (UMR 8558) coordonne l&#8217;édition numérique critique de La Vie de Michel de Marillac par Nicolas Lefevre de Lezeau. Une série de journées d&#8217;études ponctue l&#8217;avancée de ce projet. La seconde journée d&#8217;études, intitulée &#8220;La Vie de Michel de Marillac et les expériences politiques du garde des sceaux&#8221; se tiendra le 25 novembre prochain. Elle est co-organisée par le Grihl-CRH (UMR 8558 CNRS-EHESS), le [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://f.hypotheses.org/wp-content/blogs.dir/361/files/2011/11/Marillac1.jpg"><img src="http://f.hypotheses.org/wp-content/blogs.dir/361/files/2011/11/Marillac1-150x150.jpg" alt="" width="150" height="150" class="alignleft size-thumbnail wp-image-173" /></a></a>Dans le cadre du projet européen ENBaCH (European Network for Baroque Cultural Heritage), le Grihl, équipe du Centre de Recherches Historiques (UMR 8558) coordonne l&#8217;édition numérique critique de La Vie de Michel de Marillac par Nicolas Lefevre de Lezeau.</p>
<p>Une série de journées d&#8217;études ponctue l&#8217;avancée de ce projet. La seconde journée d&#8217;études, intitulée &#8220;La Vie de Michel de Marillac et les expériences politiques du garde des sceaux&#8221; se tiendra le 25 novembre prochain. Elle est co-organisée par le Grihl-CRH (UMR 8558 CNRS-EHESS), le LaDéHIS (UMR 8558 CNRS-EHESS) et le CRHM (EA 127, Université Paris I Panthéon-Sorbonne).</p>
<p><strong>Programme</strong></p>
<p>9h Accueil des participants (café)</p>
<p>9h15-10h30</p>
<p>- Robert Descimon (Ladéhis-CRH, EHESS) : « Marillac et ses hommes : la constitution d&#8217;un réseau politique (premier quart du xvii<sup>e</sup> siècle) »</p>
<p>- Discussion animée par Nicole Lemaître (CRHM, Université Paris I Panthéon-Sorbonne), Elie Haddad (Ladéhis-CRH, CNRS) et Anne-Valérie Solignat (CRHM, Université Paris I Panthéon-Sorbonne et Université Versailles Saint-Quentin-en-Yvelines &#8211; UVSQ)</p>
<p>10h30 pause Café</p>
<p>10h45-13h00</p>
<p>- Lauriane Kadlec (Université de Paris-I Panthéon-Sorbonne) : « Le Code Michau : l&#8217;échec de la réformation selon le garde des Sceaux Michel de Marillac ».</p>
<p>- Hélène Fernandez (Grihl) : « Réflexions sur le Code Michau à partir du chapitre 16 sur “L’ordonnance de 1629” »</p>
<p>- Discussion animée par Robert Descimon (Ladéhis-CRH, EHESS), Elie Haddad (Ladéhis-CRH, CNRS) et Fabrice Micallef (CRHM, Université Paris I Panthéon-Sorbonne)</p>
<p>14h30-15h40</p>
<p>- Nicolas Schapira (Grihl, EA 3330 Analyse comparée des pouvoirs-Université Paris-Est, Marne-la-Vallée) : « Les manuscrits de <em>La Vie</em><em> de Michel de Marillac</em> au miroir de leurs autorisations »</p>
<p>- Discussion animée par Dora de Lima (CRHM, Université Paris I Panthéon-Sorbonne), Camille Lefauconnier-Ripoll (archiviste paléographe, doctorante au CRH) et François-Xavier Petit (CRHM, Université Paris I Panthéon-Sorbonne)</p>
<p> Pause café</p>
<p>16h-18h</p>
<p>- Table ronde</p>
<p>Dans le cadre du travail d&#8217;édition de la <em>Vie</em><em> de Michel de Marillac</em>, nous voudrions confronter nos réflexions d&#8217;ordre méthodologique sur les façons de donner à lire un texte d&#8217;Ancien Régime : comment penser son statut d&#8217;écrit, les formes de sa publication (manuscrite et imprimée), comment rendre compte des modélisations qui le relient à d&#8217;autres textes (ici, des récits de vie), ou à l&#8217;inverse le produire dans sa singularité ? Les participants de cette table-ronde, historiens et littéraires, apporteront leurs expériences respectives et leurs questions, issues notamment des séminaires du Grihl (« Écriture et action », « Ecritures du passé : Localisations, visualisations »), des séminaires de Robert Descimon et Elie Haddad (« Transmission et parenté dans la noblesse française de robe et d&#8217;épée aux xvi<sup>e</sup> et xvii<sup>e</sup> siècles », « Les élites du pouvoir à l&#8217;épreuve de la monarchie absolue aux xvi<sup>e</sup> et xvii<sup>e</sup> siècles »), et du travail de l’équipe préparant actuellement l’édition électronique critique de <em>La Vie de Michel de Marillac</em>.</p>
<p>Cette table ronde sera coordonnée par Laurence Giavarini (Grihl-Centre Chevrier-UMR 3507, Université de Bourgogne), Sophie Houdard (Grihl, Université Paris 3-Sorbonne Nouvelle) et Alain Cantillon (Grihl, Université Paris 3-Sorbonne Nouvelle)</p>
<p>&nbsp;</p>
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		</item>
		<item>
		<title>ENBaCH mid-term workshop in Varsaw – 27-28 June 2011</title>
		<link>http://enbach.hypotheses.org/65</link>
		<comments>http://enbach.hypotheses.org/65#comments</comments>
		<pubDate>Sat, 14 May 2011 17:44:46 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[Information]]></category>

		<guid isPermaLink="false">http://enbach.hypotheses.org/?p=65</guid>
		<description><![CDATA[The 3rdENBaCH meeting will take place in Varsaw next June. It will be divided in two parts: a scientific conference, with the main theme: Polish Baroque, European Contexts and a management meeting. programme]]></description>
			<content:encoded><![CDATA[<p>The 3rdENBaCH meeting will take place in Varsaw next June. It will be divided in two parts: a scientific conference, with the main theme: <em>Polish Baroque, European Contexts</em> and a management meeting.</p>
<p><a href="http://f.hypotheses.org/wp-content/blogs.dir/361/files/2011/05/angielski1.pdf">programme</a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>ENBaCH</title>
		<link>http://enbach.hypotheses.org/11</link>
		<comments>http://enbach.hypotheses.org/11#comments</comments>
		<pubDate>Thu, 21 Apr 2011 14:48:36 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[Non classé]]></category>

		<guid isPermaLink="false">http://enbach.hypotheses.org/?p=11</guid>
		<description><![CDATA[European Network for Baroque Cutural Heritage is a research project promoted and economically supported by the European Commission through the Education, Audiovisual and Culture Executive Agency (EACEA). It involves a network of eight Universities located in six different European countries: Universitat de Barcelona, Technische Universität Dresden, Ernst-Moritz-Arndt-Universität Greifswald, Ecole des Hautes Etudes en Sciences Sociales &#8211; Paris, La Sapienza Università di Roma, Università di Teramo, Uniwersytet Warszawski, Universität Wien, wishing to resort to digital tools and technologies to pool and share their respective historical [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify"><a href="http://f.hypotheses.org/wp-content/blogs.dir/361/files/2011/04/enbach_logo.jpg"><img class="alignnone size-medium wp-image-13" src="http://f.hypotheses.org/wp-content/blogs.dir/361/files/2011/04/enbach_logo-300x151.jpg" alt="" width="300" height="151" /></a></p>
<p style="text-align: justify"><span style="font-size: small"><a href="http://www.enbach.eu">European Network for Baroque Cutural Heritage</a> is a research project promoted and economically supported by the European Commission through the Education, Audiovisual and Culture Executive Agency (<a href="http://eacea.ec.europa.eu/index_en.php">EACEA</a>). It<strong> </strong>involves a network of eight Universities located in six different European countries: <a href="http://www.ub.edu/">Universitat de Barcelona</a>, <a href="http://www.tu-dresden.de/">Technische Universität Dresden</a>, <a href="http://www.uni-greifswald.de/">Ernst-Moritz-Arndt-Universität Greifswald</a>, <a href="http://www.ehess.fr">Ecole des Hautes Etudes en Sciences Sociales &#8211; Paris</a>, <a href="http://www.uniroma1.it/">La Sapienza Università di Roma</a>, <a href="http://www.unite.it/">Università di Teramo</a>, <a href="http://www.uw.edu.pl/">Uniwersytet Warszawski</a>, <a href="http://www.univie.ac.at/">Universität Wien</a>, wishing to resort to digital tools and technologies to pool and share their respective historical heritage of “Baroque”, common and contrasted at the same time.</span></p>
<p style="text-align: justify"><span style="font-size: small">Thus, ENBaCH aims at elaborating a multiple-approach pattern for promoting knowledge concerning the European baroque cultural heritage and creating innovative strategies for disseminating historical consciousness not only among scholars and academics, but also among school teachers, primary and secondary schools students, life-long education programs, policy makers, civil servants and a wider public.</span></p>
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		<title>journée d’études : &#8220;Nicolas Lefevre de Lezeau et l’écriture&#8221;</title>
		<link>http://enbach.hypotheses.org/36</link>
		<comments>http://enbach.hypotheses.org/36#comments</comments>
		<pubDate>Sun, 20 Mar 2011 19:57:53 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[Actualités / News]]></category>
		<category><![CDATA[Databases & Research]]></category>
		<category><![CDATA[Information]]></category>
		<category><![CDATA[écriture]]></category>
		<category><![CDATA[edition]]></category>
		<category><![CDATA[Lezeau (Nicolas Lefevre de)]]></category>
		<category><![CDATA[Marillac (Michel de)]]></category>
		<category><![CDATA[XML-TEI]]></category>
		<category><![CDATA[XVIIe siècle]]></category>

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		<description><![CDATA[Penser l’édition numérique critique : La Vie de Michel de Marillac par Nicolas Lefevre de Lezeau  &#8211; Première journée d’études &#8220;Nicolas Lefevre de Lezeau et l’écriture&#8221; Mercredi 23 mars 2011, 9h – 17h Programme Dans le cadre du programme européen ENBaCH (European Network for Baroque Cultural Heritage), notre équipe réalise une édition électronique critique du texte de Nicolas Lefèvre de Lezeau, La Vie de Michel de Marillac. Les enjeux d’un tel travail sont multiples. L’originalité du texte de Nicolas Lefèvre de Lezeau est d’exister sous [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center"><strong><span style="font-size: x-small"><a href="http://f.hypotheses.org/wp-content/blogs.dir/361/files/2011/03/Montage_02bis1.jpg"><img src="http://f.hypotheses.org/wp-content/blogs.dir/361/files/2011/03/Montage_02bis1-150x150.jpg" alt="" width="150" height="150" class="alignleft size-thumbnail wp-image-175" /></a></a>Penser l’édition numérique critique : <em>La Vie</em><em> de Michel de Marillac</em> par Nicolas Lefevre de Lezeau  &#8211; </span></strong><strong><span style="font-size: x-small">Première journée d’études</span></strong></p>
<p style="text-align: center"><span style="font-size: x-small"><strong>&#8220;Nicolas Lefevre de Lezeau et l’écriture&#8221;</strong></span></p>
<p style="text-align: center"><span style="font-size: x-small"><strong>M<strong>ercredi 23 mars 2011, 9h – 17h</strong></strong></span></p>
<p style="text-align: center"><span style="font-size: x-small"><strong><a href="http://f.hypotheses.org/wp-content/blogs.dir/361/files/2011/04/Programme_4pages.pdf">Programme</a></strong></span></p>
<p style="text-align: justify"><span style="font-size: x-small">Dans le cadre du programme européen ENBaCH (European Network for Baroque Cultural Heritage), notre équipe réalise une édition électronique critique du texte de Nicolas Lefèvre de Lezeau, <em>La Vie</em><em> de Michel de Marillac</em>. Les enjeux d’un tel travail sont multiples.</span></p>
<p style="text-align: justify"><span style="font-size: x-small">L’originalité du texte de Nicolas Lefèvre de Lezeau est d’exister sous forme de différents manuscrits corrigés à différentes dates, pour une publication qui ne se fit jamais, de sorte qu’entre les années 1640 et 1660, nous avons la possibilité d’observer variations, ratures et réécritures, c’est-à-dire toute une économie textuelle : ce qui peut être dit et ce qu’il n’est plus possible de dire. Plus qu’une édition électronique d’un texte, nous tentons l’édition électronique d’une dynamique textuelle.</span></p>
<p style="text-align: justify"><span style="font-size: x-small">Le second objet de notre travail est de produire de l’analyse en même temps que l’établissement du texte et de ses différentes variantes. Dans cette opération scientifique encore inédite, nous avons recours à la méthode d’analyse TEI qui nous permet d’encoder des passages de texte selon des axes problématiques (portée politique du propos, présence du narrateur, modèle de dévotion…). Le recours aux outils informatiques nous permettra, dans la visualisation finale, d’observer le texte et ses différentes variantes sous un angle thématique.</span></p>
<p style="text-align: justify"><span style="font-size: x-small">Dans la longue construction de l’édition critique, nous avons souhaité différentes étapes de cristallisation sous forme de journées d’études. Cette première journée sera consacrée à Nicolas Lefèvre de Lezeau et l’écriture.</span></p>
<p style="text-align: justify"><span style="font-size: x-small">Au fil de l’analyse, Lefèvre de Lezeau est devenu de plus en plus central. A l’origine « écrasé » par Marillac, dissimulé dans un texte en apparence sans aspérité et sans révélation, l’auteur se révèle dans une écriture. Cette journée d’étude sera l’occasion de poser les enjeux du récit de vie dévot : construction d’un modèle de vie et de mort, mise en scène généalogique, relecture de l’histoire au service d’un projet politique. Dans sa <em>Vie de Michel de Marillac</em>, Lefèvre de Lezeau canalise tout acte dans une seule direction – celle de la dévotion, de la charité, de l’acceptation sereine de la providence, du détachement des affaires terrestres et d’une vision politique – pour en faire les parcelles d’une vie cohérente (sur le plan politique comme spirituel, sans possibilité de les séparer).</span></p>
<p style="text-align: justify"><span style="font-size: x-small">Le texte de Lefèvre de Lezeau est aussi le lieu d’une réflexion sur l’écriture en elle-même, l’écriture comme manière d’agir dans le monde, comme dévotion en acte et comme pratique politique.</span></p>
<p style="text-align: justify"><strong><span style="font-size: x-small">Programme</span></strong></p>
<p style="text-align: justify"><span style="font-size: x-small"> </span></p>
<p style="text-align: justify"><span style="font-size: x-small">9h Accueil des participants </span></p>
<p style="text-align: justify"><span style="font-size: x-small">9h30 : Christian Jouhaud et Cécile Soudan (Grihl-CRH, EHESS-CNRS) : Présentation du projet général</span></p>
<p style="text-align: justify"><span style="font-size: x-small"> 10h-10h50 : François-Xavier Petit (CRHM, Université Paris I Panthéon-Sorbonne) : <em>é</em><em>crire en dévot la vie de Michel de Marillac</em></span></p>
<p style="text-align: justify"><span style="font-size: x-small">(10h30) Discussion animée par Laurence Giavarini (Grihl-Centre Chevrier-UMR 3507, Université de Bourgogne)</span></p>
<p style="text-align: justify"><span style="font-size: x-small"> 10h50-11h40 : Dora de Lima (CRHM, Université Paris I Panthéon-Sorbonne) : <em>Nicolas Lefevre de Lezeau : un hagiographe de son temps. L’hagiographie à l’épreuve de la biographie-témoignage dans les Vies de Morvilliers et de Marillac</em>.</span></p>
<p style="text-align: justify"><span style="font-size: x-small">(11h20) Discussion animée par Dinah Ribard (Grihl-CRH, EHESS) et Nicolas Schapira (Grihl-CRH, CNRS)</span></p>
<p style="text-align: justify"><span style="font-size: x-small">11h40 : Pause café</span></p>
<p style="text-align: justify"><span style="font-size: x-small"> 12h00-12h50 : Camille Lefauconnier (archiviste paléographe, doctorante au CRH) : <em>Au récit de la maladie et de la mort de ce grand homme. Décrire l&#8217;art de mourir : étude comparée des récits de la mort de Michel de Marillac et de François Sublet de Noyers</em></span></p>
<p style="text-align: justify"><span style="font-size: x-small">(12h30) Discussion animée par Hélène Fernandez (Grihl)</span></p>
<p style="text-align: justify"><span style="font-size: x-small">Pause repas</span></p>
<p style="text-align: justify"><span style="font-size: x-small">14h30-15h20 : Fabrice Micallef (CRHM, Université Paris I Panthéon-Sorbonne) : <em>Comment la bonne Ligue  sauva la monarchie. 1593 selon Nicolas Lefevre de Lezeau</em></span></p>
<p style="text-align: justify"><span style="font-size: x-small">(15h) Discussion animée par Robert Descimon (Ladéhis -CRH, EHESS)</span></p>
<p style="text-align: justify"><span style="font-size: x-small"> 15h20-16h10 Anne-Valérie Solignat (CRHM, Université Paris I Panthéon-Sorbonne et Université Rennes 2 Haute-Bretagne) : <em>Les généalogies imaginaires des Marillac ou comment faire des siens des gentilshommes de noblesse immémoriale</em></span></p>
<p style="text-align: justify"><span style="font-size: x-small">(15h50) Discussion animée par Christian Jouhaud (Grihl-CRH, EHESS-CNRS) et Robert Descimon (Ladéhis-CRH, EHESS)</span></p>
<p style="text-align: justify"><span style="font-size: x-small">16h10-17h Robert Descimon (CRH-EHESS) : <em>La </em>Vie<em>/vie de Louise de Marillac</em> (Ladéhis -CRH, EHESS)</span></p>
<p style="text-align: justify"><span style="font-size: x-small">(16h40) Discussion animée par Sophie Houdard (Grihl-Université Paris 3)</span></p>
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		<title>Call for papers &#8211; &#8220;Historiography on the notion and category of &#8220;baroque&#8221;</title>
		<link>http://enbach.hypotheses.org/42</link>
		<comments>http://enbach.hypotheses.org/42#comments</comments>
		<pubDate>Sun, 20 Mar 2011 11:15:16 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[Actualités / News]]></category>
		<category><![CDATA[Databases & Research]]></category>
		<category><![CDATA[historiography]]></category>
		<category><![CDATA[notion of baroque]]></category>

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		<description><![CDATA[As members of a research team, the Grihl (Groupe de recherches interdisciplinaires sur l’histoire du littéraire) integrated in the Centre de Recherches Historiques at the École des Hautes Études en Sciences Sociales in Paris, we are participating in the ENBaCH project, European Network for Cultural Heritage Baroque (http://enbach.besmart.it/). Within this framework, we would like to achieve a publication devoted to the historiography of the notion and category of “baroque” in every field (literature, art, philosophy, history, etc.). Papers written in English, Spanish, Italian or in [...]]]></description>
			<content:encoded><![CDATA[<p>As members of a research team, the <a href="http://www.ehess.fr/centres/grihl/" target="_blank">Grihl</a> (<em>Groupe de recherches interdisciplinaires sur l’histoire du littéraire</em>) integrated in the <em><a href="http://crh.ehess.fr/">Centre de Recherches Historiques</a></em> at the <em><a href="http://www.ehess.fr/fr/" target="_blank">École des Hautes Études en Sciences Sociales</a></em> in Paris, we are participating in the ENBaCH project, European Network for Cultural Heritage Baroque (<a href="http://enbach.besmart.it/" target="_blank">http://enbach.besmart.it/</a>).</p>
<p>Within this framework, we would like to achieve a publication devoted to the historiography of the notion and category of “baroque” in every field (literature, art, philosophy, history, etc.). Papers written in English, Spanish, Italian or in any other European language will be welcome.</p>
<p>This publication will constitute an issue of the online journal of our research center (<em><a href="http://dossiersgrihl.revues.org/" target="_blank">Les Dossiers du Grihl</a></em>*), it is also dedicated to be available on the ENBaCH portal. It would be the opportunity to diversify the approaches and to try to cover the European area, dealing the very notion of Baroque within a historical perspective.</p>
<p>If you want to participate, please send us your proposal (10-20 lines) as soon as possible. The deadline for submitting papers is planned for September 2011.</p>
<p>Of course, don’t hesitate to ask us any additional information which you would like to know</p>
<p>With best regards,</p>
<p>Jean-Pierre Cavaillé (<a href="mailto:cavaille@ehess.fr">cavaille@ehess.fr</a>)  and Cécile Soudan (<a href="mailto:csoudan@ehess.fr">csoudan@ehess.fr</a>), for the editorial board of <em>Les Dossiers du GRIHL</em></p>
<p>* As a Journal hosted by the portal <a href="http://www.revues.org/" target="_blank">Revues.org</a>, <em>Les Dossiers du Grihl</em> are optimally referenced by the main harvesting tools in scientific research such as Google Scholar, Base, Ojose, OAIster or Scirus. They are also indexed by Worldcat, SUDOC or EZB and by the most important editors of bibliographical databases in Europe, in the United States, etc.  <em>Les Dossiers du Grihl </em>are also automatically integrated in directories of specialized links as Intute, the Directory of Open Access Journals (DOAJ) or ABC Clio. All the data and metadata contained in the documents published in this digital tool are systematically referenced and disseminated by specific technologies following the OAI-PMH protocol and using the TEI, Dublin Core, RSS and Epub formats. In a few months, the XML NLM format and the OpenURL system will be in operation. Very soon, any article will have its own Digital Object Identifier (DOI).</p>
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		<title>The Project</title>
		<link>http://enbach.hypotheses.org/32</link>
		<comments>http://enbach.hypotheses.org/32#comments</comments>
		<pubDate>Mon, 21 Feb 2011 18:04:08 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[About the Project]]></category>

		<guid isPermaLink="false">http://enbach.hypotheses.org/?p=32</guid>
		<description><![CDATA[The aim of the present project is to create a European Network for Baroque Cultural Heritage that should grow over the long term and, after a period of experimentation, achieve permanent status and financial independence. Its main tasks will be a) the elaboration of a multiple-approach pattern for promoting the knowledge of the European baroque cultural heritage and b) the elaboration of innovative strategies for disseminating historical consciousness not only among scholars and academics, but among school teachers, primary and secondary schools students, life-long [...]]]></description>
			<content:encoded><![CDATA[<p>The aim of the present project is to create a European Network for Baroque Cultural Heritage that should grow over the long term and, after a period of experimentation, achieve permanent status and financial independence.</p>
<p>Its main tasks will be a) the elaboration of a multiple-approach pattern for promoting the knowledge of the European baroque cultural heritage and b) the elaboration of innovative strategies for disseminating historical consciousness not only among scholars and academics, but among school teachers, primary and secondary schools students, life-long education structures, policy makers, civil servants and a wider public in general. The ENBaCH is designed since the proponents are persuaded that, more than the Renaissance, the 17<sup>th</sup> century, after the terrible experience of the wars of religion, is the age during which – thanks to a huge increasing mobility &#8211; a common awareness of the European plural identities is construed and developed, together with a raising consciousness of a common background.</p>
<p>At the core of the project there is a network of European historians of different disciplinary specializations. One of its first purposes will thus be to elaborate an innovative interdisciplinary approach to the study of past events, that will cut across traditional disciplinary partitions, such as those dividing social history from art history or literary history and so on. The proponents are in fact centres, groups and individual scholars actually working within the boundaries of different disciplinary and methodological fields that can be synthesized as follows:</p>
<ul>
<li>Art</li>
<li>Literature</li>
<li>Natural philosophy</li>
<li>Theology and religious practices</li>
<li>Political theory and political institutions</li>
<li>Economic and social interactions</li>
</ul>
<p>These researchers are nonetheless unified by the fact of working on a same historical period, usually defined as “baroque age”, approximately coinciding with a “long 17<sup>th</sup> century”. Each of the just mentioned disciplinary fields is indeed characterised by its own “epistemological canon”, fashioned through a continuous process of sedimentation that organizes the fundamental questionings, the hierarchies of the scientific issues and the methodological approaches. The point is thus to use these plural disciplinary approaches to better understand the ways in which European cultures and identities were formed in a crucial period for the history of Europe. However the objective of the ENBaCH is not to construct an artificial unity among these different issues and approaches and their results, intending to reach a unified and coherent image of the Baroque, similar to what has long been the image of Renaissance. The aim is not to utilize the empirical data collected though decades of research to construct a typical-ideal pattern of baroque society and culture, and to scrutinize its genesis in a specific context, as well as its dissemination in different geographical and political areas of Europe along with their multiple variants. Rather, the objective of the ENBaCH is to let the above mentioned different disciplinary approaches and scientific results interact, in the double aim of:</p>
<p>1. stressing the correlations among the different scientific fields in order to recompose a reality arbitrarily split by the dissimilar disciplinary canons;</p>
<p>2. exploiting the coherences and the contradictions emerging from the different classes of phenomena to reach a deeper knowledge of the society and culture under scrutiny.</p>
<p>A great deal of work has already been done, for example on the correlations between art and literature, rhetoric and political discourse, law, morals and economic practices, literature and the material history of the book, aristocratic ethics and the organization of sciences and so on. The objective of the ENBaCH is to widen this interdisciplinary cooperation and adopt an approach that rejects arbitrary compartments of necessarily interconnected social and cultural phenomena.</p>
<p>Moreover the ENBaCH intends to analyse the circulation at European level of ideas, aesthetics, institutions, cultural artefacts, social practices, etc. and to investigate the different <em>media</em> of this circulation, from human beings to things. To reach these ambitious goals the proponents intend to elaborate an original and innovative research method, capable to cope with the complexity of the approach and the multiplicity of the interconnections among the phenomena under scrutiny, as well as with the simultaneous use of heterogeneous series of data. The idea is not only to improve the analysis of any coherent series of data with the suggestions coming from a contiguous research field but, more ambitiously, to generate &#8211; through the systematic dialogue/confrontation between phenomena traditionally dealt with within different frameworks &#8211; new interpretive instruments.</p>
<p>The objective is to reach the possibility of reconstructing baroque society and culture without relying on the usual grand narratives, but letting room for contradictions and integrating them into the analysis, so that cultural heritage may really succeed in showing how peoples and societies with different political, religious, and cultural histories were the outcomes of contacts, exchanges and mutual influences, as well as of rivalries, challenges and fighting.</p>
<p>The objectives of the project will be achieved in three stages:</p>
<p>I. The first one will be devoted to research and data collection. The proponents are indeed persuaded that knowledge is a cumulative process and no innovative achievement can be reached without a preliminary recognition of what has been previously done and a thorough research for new data and empirical evidences. It will start with a kick-off workshop to be held in Rome at the very beginning of the project, to publicize the plan in its whole and the different envisaged activities and, at the same time, to coordinate the methodologies and initiatives of the different partners. As a first step in the general dissemination plan, it will be open to scholars, researchers and students, but also to schoolteachers, policy-makers and economic operators</p>
<p>II. The second stage will be devoted to dissemination since the aim of the project is to enhance historical consciousness in the wider public and to achieve a better understanding, fruition and protection of the European cultural heritage through the widest diffusion of knowledge. These goals should be reached through a multiple-approach methodology and a multi-media series of measures: a historical atlas and a dictionary of baroque culture are envisaged, together with a series of exhibitions, of tourist circuits and of documentary movies and radio emissions, as well as an interactive website for the younger audience.</p>
<p>III. The third stage of the project will finally be devoted to the institutionalization of the project, through the creation of a European Institute for Baroque Cultural Heritage. The Institute is intended to become a permanent organization and achieve financial independence through public and private contributions and also through part of its own initiatives. It will thus constitute a European landmark for all the initiatives concerning the baroque age and an agency for coordinating and developing actions of research, dissemination and protection of the cultural heritage.</p>
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		<title>Step by Step</title>
		<link>http://enbach.hypotheses.org/27</link>
		<comments>http://enbach.hypotheses.org/27#comments</comments>
		<pubDate>Mon, 21 Feb 2011 17:38:50 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[About the Project]]></category>

		<guid isPermaLink="false">http://enbach.hypotheses.org/?p=27</guid>
		<description><![CDATA[ENBaCH will be developed in 3 steps: 1.Research and data collection. The different local groups will survey the existing scientific literature in each disciplinary field. This survey will also include the numerous web sites dedicated to texts, images and documents of the early modern age. The different local groups will then process the best scientific results in the various disciplinary fields, that is they will digitally reproduce texts and images that will thus be available for the website and for circulating among the local [...]]]></description>
			<content:encoded><![CDATA[<div>
<p style="text-align: justify"><span style="font-size: x-small">ENBaCH will be developed in 3 steps:</p>
<p>1.Research and data collection. The different local groups will survey the existing scientific literature in each disciplinary field. This survey will also include the numerous web sites dedicated to texts, images and documents of the early modern age. The different local groups will then process the best scientific results in the various disciplinary fields, that is they will digitally reproduce texts and images that will thus be available for the website and for circulating among the local units. The different groups will exploit their earlier activities, both in terms of expertises and of data collection. Scholars of the various disciplines participating in the different local groups, will also discuss the criteria for collecting unpublished sources. The next step will be to identify significant local and extra-local bodies of unpublished sources that are the most suited to fulfill the project&#8217;s requirements. Archival and field surveys will be organized. Within each local group and in supra-local cooperation, scholars with different training (in art, literature, law, science, religion, social and political history) will exchange information and data in view of clarifying the complex relationships existing between these different disciplinary fields and restore their complexity to social phenomena.</p>
<p>2.Development of an integrated system of acquisition, exhibition, fruition and dissemination of a deeper historical consciousness of the European cultural heritage. A mid-term wider-public workshop will be held in Warsaw in Spring 2011.</p>
<p>The envisaged outcomes of phase 1 are:</p>
<p>1. A Historical Atlas of 17th century sites (organizer: University Greifswald) will show the spreading of social phenomena through a sequence of historical maps. This action will rest on a firm theoretical foundation of processes of cultural transfers and hybridisation (Peter Burke, Wolfgang Schmale) that will enable a comparative perspective related to the other European regions scrutinized by ENBaCH. The Atlas will especially focus on the diffusion of Baroque culture (architecture, libraries, art, literature) across the Baltic Sea, considered as an outstanding example for the spreading of Baroque culture from the South and Southwest to the North Europe.</p>
<p>2.    Exhibitions:<br />
a) The Viceroys of Naples &#8211; Under the Shadow of Vesuvius (organizer University of Barcelona): divided in 4 sections, the exhibit will gather artefacts coming from Italy and Spain concerning life-style of the Spanish Viceroys, in order to support by evidence the &#8220;double-source&#8221; (that is Italy and Spain) of the Spanish Baroque presence in 17th Century Europe.<br />
b) Baroque European Fantasies: Creating Exotic Space (organizer: University of Dresden): the exhibit shows the reconstruction of the personal library of Matthäus Daniel PÖPPELMANN (1662-1736), Dresden court architect and designer of the Zwinger, as an example of the ideal building forms of the time and the baroque architectural fantasies of the Saxon kings.<br />
c) Baroque Bodies (organizer University of Wien): The exhibition will focus on the perception of the human body in the 17th C. &#8211; deeply influenced by contemporary political events &#8211; by gathering texts, artifacts, instruments, paintings, sculptures and evidences of the &#8220;silent language&#8221; of every day life and &#8220;ordinary people&#8221; dealing with their body perception.</p>
<p>3. On-line tourist circuits:<br />
a) &#8220;Baroque&#8221; North Germany and the Southern Baltic Sea (organizer University of Greifswald): will offer the opportunity of highlighting the rich seventeenth-century heritage of the entire region. It will contribute to enhancing trans-national tourism, which is of great importance especially for the less industrialized regions such as Pomerania, Northern Poland and the Baltic States. At first, computer-animated virtual sightseeing-tours will be developed displaying not only former historical sites, but simultaneously offering an insight into the life of former times. In a second step, a real tourist circuit will be created around the Southern Baltic Sea region. A &#8220;Route of the Northern European Baroque&#8221; will be interlinked with the already existing tourist circuits and other circuits to be created by ENBaCH. A close cooperation with the local economy (hotels, travel-agencies, tourist-associations) will be implemented.<br />
b) The Iberian and Spanish-Italian compound (organizer University of Teramo): will create an on-line tourist circuit of Baroque sites in the Iberian and Spanish-Italian compound, with particular attention to the circulation of cultural patterns and to the mutual influences between the different territories. This on-line circuit (the «Route of Spanish-Italian Baroque») will connect with the already existing tourist circuits  but will focus not only on the capitals cities (Madrid, Milan, Naples, Cagliari and Palermo) and their role as courts, political, administrative, economic and religious but also on the main centres of local development of the baroque culture. Especial attention will be paid to the tourist promotion of the sites where the mutual influence of artistic and cultural patterns from Spain to Spanish-Italian areas  is more relevant and to all the interesting sites that are little or not at all known in the actual tourist circuits.</p>
<p>4. Radio emissions (organizer University of Warsaw):  a series of radio transmissions aimed at a wide public, prepared in collaboration with professional teams experienced in cultural radio programs, highlighting the image of Central Europe as an area tightly linked to Western Europe but in the same time specific and peripheral, a transitional zone between European West and East. These transmissions will consist of talks with experts or teams of experts in different fields and will be illustrated with music, poetry and drama fragments presented by professional artists.</p>
<p>5. A virtual kit for the young historian (organizer University of Rome La Sapienza): an educational tool to provide primary and secondary school students and teachers of materials to learn and teach Baroque history &#8220;in laboratory&#8221;. Teaching/learning history in laboratory means to acquire skills for «reading» historical past, while discovering the «rules» of the historical game; that is to apprehend the language and the categories that the historian employs in making history, while replying them in laboratory with the teacher&#8217;s help. We will offer an on-line repository of different sorts of archives &#8211; of visual art artefacts, written documents, images of objects, collections of historical dates and personages, contemporary books, etc. &#8211; where the user will be able of surfing, collecting and putting together the items best suited for his/her research.</p>
<p>Step 2 will end with the Conference to be held in Wien (2012).</p>
<p>Step 3: Creating a European Institute for Baroque Cultural Heritage. The Institute is intended to become a permanent organization economically independent, that applies to be a European landmark for all the initiatives concerning the Baroque age and an agency for coordinating and developing actions of research, dissemination and protection of the Baroque cultural heritage.</p>
<p>Step 3 &#8211; and ENBaCH project &#8211; will end with a conference to be held in Rome (2013)</span></p>
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		<title>The Methodology</title>
		<link>http://enbach.hypotheses.org/24</link>
		<comments>http://enbach.hypotheses.org/24#comments</comments>
		<pubDate>Mon, 21 Feb 2011 17:36:04 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[About the Project]]></category>

		<guid isPermaLink="false">http://enbach.hypotheses.org/?p=24</guid>
		<description><![CDATA[ENBaCH&#8217;s proponents are centers, groups and individual scholars working in different disciplinary and methodological fields: art, literature, natural philosophy, theology and religious practices, political theory and political institutions, economic and social interactions. Each of these fields has its own &#8220;epistemological canon&#8221; &#8211; the result of a long process of sedimentation &#8211; that organizes the fundamental questions, the hierarchies of the scientific issues and the methodological approaches of the field. We aim at elaborating an innovative interdisciplinary way of approaching the study of past events, [...]]]></description>
			<content:encoded><![CDATA[<div>
<p style="text-align: justify"><span style="font-size: x-small">ENBaCH&#8217;s proponents are centers, groups and individual scholars working in different disciplinary and methodological fields: art, literature, natural philosophy, theology and religious practices, political theory and political institutions, economic and social interactions. Each of these fields has its own &#8220;epistemological canon&#8221; &#8211; the result of a long process of sedimentation &#8211; that organizes the fundamental questions, the hierarchies of the scientific issues and the methodological approaches of the field. We aim at elaborating an innovative interdisciplinary way of approaching the study of past events, that will cross disciplinary boundaries while keeping each discipline&#8217;s peculiarties.</span></p>
<p style="text-align: justify"><span style="font-size: x-small">ENBaCH&#8217;s goal is to reconstruct baroque society and culture without relying on the usual &#8220;grand narratives&#8221; but presenting baroque European peoples and societies, with all their different political, religious, and cultural histories, as the outcomes of contacts, exchanges, mutual influences, rivalries, challenges and conflicts. The interaction among different disciplinary approaches and scientific results serves this end by:</span></p>
<p style="text-align: justify"><span style="font-size: x-small">1. <em>stressing the correlations among the different scientific fields in order to recompose a reality arbitrarily split by the dissimilar disciplinary canons;</em></span></p>
<p style="text-align: justify"><span style="font-size: x-small">2. <em>exploiting the coherences and the contradictions emerging from the different classes of phenomena to reach a deeper knowledge of the society and culture at stake.</em></span></p>
<p style="text-align: justify"><span style="font-size: x-small">ENBaCH&#8217;s end is to widen the existing interdisciplinary cooperation and to adopt an approach that rejects arbitrary compartments of social and cultural phenomena that actually were a whole. Moreover, since ENBaCH aims at analyzing the circulation through Europe of ideas, aesthetics, institutions, cultural artefacts, social practices, etc. we must investigate the different media of this circulation. We thus intend to elaborate an original and innovative research method, able to cope with the complexity of the approaches and the multiplicity of the interconnections among the phenomena under scrutiny, as well as with the simultaneous use of heterogeneous series of data.</span></p>
<p style="text-align: justify"><span style="font-size: x-small">The idea is not only to improve the analysis of any coherent series of data with the suggestions coming from a contiguous research field but, more ambitiously, to generate new interpretive instruments through the systematic dialogue/confrontation between phenomena traditionally dealt with within different frameworks.</span></p>
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		<title>II ENBACH PARTNERSHIP MEETING &#8211; Barcelona, 5-6 November 2010</title>
		<link>http://enbach.hypotheses.org/49</link>
		<comments>http://enbach.hypotheses.org/49#comments</comments>
		<pubDate>Mon, 01 Nov 2010 11:55:28 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[About the Project]]></category>
		<category><![CDATA[Actualités / News]]></category>

		<guid isPermaLink="false">http://enbach.hypotheses.org/?p=49</guid>
		<description><![CDATA[ AGENDA  Friday 5  Morning Arrival  Friday 5,  h 14,30    ENBaCH research and data-collection   Plenary session -         Initial objectives &#38; state of advancement of the research (data collection, processing of data, design and management of data system, analysis and treatment of data-bases, etc.). -         Presentation – by each partner &#8211; of: -     main intermediate results -     executive planning of further activities and corresponding budget allocations Saturday 6, h 9.30   ENBaCH intermediate results   Working groups or Bi/Tri-lateral sessions: -         Barcelona-Dresden-Wien: Exhibitions -         Paris-Rome-Warszawa: Digital collections; Radio transmissions [...]]]></description>
			<content:encoded><![CDATA[<p><strong> </strong><strong>AGENDA</strong><strong> </strong></p>
<p><strong>Friday 5</strong><strong>  Morning</strong></p>
<p>Arrival </p>
<p><strong>Friday 5,  h </strong><strong>14,30  </strong><strong> </strong></p>
<p><strong><span style="text-decoration: underline">ENBaCH research and data-collection </span></strong><strong><span style="text-decoration: underline"> </span></strong></p>
<p><strong>Plenary session</strong></p>
<p>-         Initial objectives &amp; state of advancement of the research (data collection, processing of data, design and management of data system, analysis and treatment of data-bases, etc.).</p>
<p>-         Presentation – by each partner &#8211; of:</p>
<p>-     main intermediate results</p>
<p>-     executive planning of further activities and corresponding budget allocations</p>
<p><strong>Saturday 6, h 9.30 </strong><strong><span style="text-decoration: underline"> </span></strong></p>
<p><strong><span style="text-decoration: underline">ENBaCH intermediate results </span></strong><strong><span style="text-decoration: underline"> </span></strong></p>
<p><strong>Working groups or Bi/Tri-lateral sessions:</strong></p>
<p>-         Barcelona-Dresden-Wien: Exhibitions</p>
<p>-         Paris-Rome-Warszawa: Digital collections; Radio transmissions</p>
<p>-         Greisfwald-Teramo: Atlas; Tourists circuits </p>
<p><strong>Plenary session:</strong></p>
<p>-         Web site management (editorial board) and implementation; Dissemination; Didactical activities<strong></strong></p>
<p><strong> </strong><strong>Saturday  6, h 15,00</strong></p>
<p><strong><span style="text-decoration: underline">Enbach administrative and management aspects</span></strong></p>
<p>-         Additional administrative aspects not yet included in the II Cooperat. agreem.: (communications to Eacea, authorizations to ask for, etc.)</p>
<p>-         Structure of local units,  first interim technical and administrative reports  (for 1st financial accountings)</p>
<p>-         Analysis of analytical templates of EACEA in attachment</p>
<p>-         Evidence of expenses to be sustained</p>
<p>-         Communication flows and future monitoring; </p>
<p><strong>Conclusions: </strong></p>
<p>-         Planning of travels and human resources for year 2011; next meetings and dissemination activities (mid-term conferences); </p>
<p>-         corrective actions </p>
<p>-         deadlines for official financial accountings with the auditors.</p>
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		<title>ENBaCH Kick-off Conference</title>
		<link>http://enbach.hypotheses.org/44</link>
		<comments>http://enbach.hypotheses.org/44#comments</comments>
		<pubDate>Sat, 10 Oct 2009 11:44:06 +0000</pubDate>
		<dc:creator>Grihl</dc:creator>
				<category><![CDATA[About the Project]]></category>
		<category><![CDATA[Actualités / News]]></category>

		<guid isPermaLink="false">http://enbach.hypotheses.org/?p=44</guid>
		<description><![CDATA[Kick-off_Conference Rome 22-23 October 2009 ENBaCH Kick-off Conference 22 October 9.30-18.30 Presentation Conference of the ENBaCH 9.30 – 11.15 1. Grant Agreement: discussion and approval 2. Deadlines, EC norms, timesheets 11.15-11.30 Coffee break 11.30-13.30 2. Activities of the local units: website (Rome, Paris) exhibitions (Barcelona, Dresden, Wien) tourist circuits (Greifswald, Teramo) 13.30 – 14.30 Lunch 14.30 – 15.30 2. Activities of the local units: atlas (Greifswald) radio emissions (Warszawa) 15.30-17.00 3. Data collection and processing: criteria 17.00- 17.15 Coffee break 17.30-18.30 4. Cooperation with [...]]]></description>
			<content:encoded><![CDATA[<p><a href='http://f.hypotheses.org/wp-content/blogs.dir/361/files/2009/10/Kick-off_Conference.pdf'>Kick-off_Conference</a>
<p style="text-align: center"><span style="font-size: small">Rome 22-23 October 2009<br />
ENBaCH Kick-off Conference</span></p>
<p><span style="font-size: small">22 October 9.30-18.30</span></p>
<p><span style="font-size: small">Presentation Conference of the ENBaCH</span></p>
<p><span style="font-size: small">9.30 – 11.15<br />
1. Grant Agreement: discussion and approval<br />
2. Deadlines, EC norms, timesheets</span></p>
<p><span style="font-size: small">11.15-11.30 Coffee break</span></p>
<p><span style="font-size: small">11.30-13.30<br />
2. Activities of the local units:<br />
website (Rome, Paris)<br />
exhibitions (Barcelona, Dresden, Wien)<br />
tourist circuits (Greifswald, Teramo)</span></p>
<p><span style="font-size: small">13.30 – 14.30 Lunch</span></p>
<p><span style="font-size: small">14.30 – 15.30<br />
2. Activities of the local units:<br />
atlas (Greifswald)<br />
radio emissions (Warszawa)</span></p>
<p><span style="font-size: small">15.30-17.00<br />
3. Data collection and processing: criteria</span></p>
<p><span style="font-size: small">17.00- 17.15 Coffee break</span></p>
<p><span style="font-size: small">17.30-18.30<br />
4. Cooperation with other Institutions<br />
5. Related and/or useful websites</span></p>
<p><span style="font-size: small">23 October  9.30-14.00</span></p>
<p><span style="font-size: small">Presentation Conference of the ENBaCH</span></p>
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